Showing posts with label pintura ao ar livre. Show all posts
Showing posts with label pintura ao ar livre. Show all posts

Spring in the Northern Hemisphere II


   New York

This April, without the wind and a bit less cold than Chicago, New York displayed most of the time a beautiful blue sky and a warm Spring sun. 
I´m posting here some aleatory images among hundreds I brought home in my camera and in my memory.

First stop: Metropolitan Museum of Art

                        The artist looking at himself....
Rembrandt Self Portrait
Self Portrait - Rembrandt
Revisiting Tolouse Lautrec ...


Toulouse Lautrec
Toulouse Lautrec
Van Gogh painted these two works on the same canvas, front and back...
Front:Self Portrait                      Back: The potato peeler
Central Park- Maurice Prendergast
Moonlight, Wood Island Light- Winslow Homer-oil on canvas

At the Seaside- William Merrit Chase

Avenue of the Allies- Childe Hassam
Checking George Bellows energetic brushstrokes and his power of synthesis
George Bellows, Swans in Central Park
Swans in Central Park
Studying Velasquez...
The other opportunity I had to see this painting it was hung on a wall were we could not approach too much. From the distance this portrait called my attention for its on sake, the composition, the story it tells, the look of the model and the impossibility to dissociate the relationship between the painter and the model.
Juan de Pareja was a slave of Velasquez  and he was his assistant from some time on.
From the distance we can see a refined portrait,elegantly lightened in a noble and silent atmosphere. When we get closer we can observe the perfect balance between the transparent washes and glazes of the abstract background with the impasto on Juan´s features which brings to light his strong look.
We can also notice the fluidity of this masterpiece, showing that it was effortless done.
There´s much more to see in this work and much more to learn from the Master of the Masters...

Juan de Pareja, Diego Velasquez
We can perfectly understand why Sorolla admired Velasquez so much and the influence we notice on his works.

More on Metropolitan Museum and New York here


Posted bySandra Nunes at 9:45 PM 0 comments  

Santa Teresa Tram

After two years without its charming tram, Santa Teresa is getting ready to receive the new ones that should be here next year.
Meanwhile...an evocation of the old ones...

                                                       Old Tram at Guimaraes Station, Sandra Nunes - 46 x 61 cm


Posted bySandra Nunes at 2:15 PM 0 comments  

Spring!

Flower Parade
Some additional information about the project I mentioned in the previous post

The show Welcome to Spring is an urban interference to which 20 artists from Rio de Janeiro and 20 from Sao Paulo were invited to customize an iron structure of a stylized flower freely, linking the image of spring to the lauching of a Johnson Company product.
After the show, the flowers will be auctioned and part of the proceeds will go to charity institutions.
The show will be on till October 23rd.

My flower was installed in Lagoa Rodrigo de Freitas district.
Watch the creative process and installation:



Posted bySandra Nunes at 10:41 AM 0 comments  

Article in O O Globo Newspaper about plein air painting in the city





Posted bySandra Nunes at 1:33 PM 0 comments  

Article in O O Globo Newspaper About plein air painting in the city



Posted bySandra Nunes at 1:09 PM 2 comments  

Painting in Santa Teresa Morro dos Prazeres




To open my posts this year I though I shoud post some images painting en plein air. This one is from Morro dos Prazeres in Santa Teresa, some of the most astonishing views from Rio de Janeiro can be seen from this spot.

Posted bySandra Nunes at 10:35 PM 4 comments  

 
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